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Luke is very proud of the company that has grown from a living room office of 4 to 35 people, with their most recent success being the evolution of their YouTube channels. The first being Copa90, which is now the biggest football channel in Europe and 5th largest in the world.

The other being Line9, a unique new action sports channel that launched earlier this year. Luke loves the ability to tell stories across multiple platforms and have a direct conversation with the audience.

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Apr - Apr Interactive Creative Contribution. Luke Taylor. Create new list with Luke.It's been a year when sport in the UK has reached a fever pitch and traditional TV broadcasters the BBC and Channel 4 have won plaudits for their Olympics and Paralympics coverage, while ITV hitched itself to a new cycling phenomenon by screening live coverage Bradley Wiggins winning the Tour de France.

Meanwhile, online content producer Bigballs Films has been setting a different, and perhaps ultimately more interesting, agenda.

Bigballs, based in London's silicon roundabout tech area, is seven years old and has a portfolio of online and on-TV content.

But it's now launching a sports channel on YouTube that it hopes will cause a stir and help it ramp up its business both online as well as on traditional TV.

With a heavy emphasis on directly involving football fans, BigBalls will be producing Copa90, an interactive football lifestyle and original content channel via YouTube, which will include, at launch, eight different shows.

Speaking exclusively to the Guardian Media Network at Soho House later, Thirlwall explained that Copa90 is the beginning of a network of up to 15 sports channels that BigBalls plans to launch over the next three years. There is a hugely passionate and connected audience that isn't being served by traditional TV channels and that's a space we are interested in. Not to say that BigBalls isn't interested in traditional TV.

BigBalls is working on Fishing for Troubleits second commission for Channel 4, and earlier this year it hired Andrew Conrad from independent production company Betty as director of TV. Recently however, Conrad's title was changed to director of programmes, which is perhaps more in line with how BigBalls sees its future; Thirlwall says that several of the formats planned for Copa90 could have a second life on TV screens as well, but he clearly thinks that the opportunities online are immense.

That's pretty exciting. Bigballs' use of YouTube as a distribution network for its content comes at a time when the world's largest video consumption platform is starting to creep into speeches by more traditional TV executives, including big hitters like Liz Murdoch and X Factor's Simon Cowell. In her MacTaggart lecture at the MediaGuardian Edinburgh International Television Festival in August, Murdoch said YouTube was "beginning to act like a market leader", referring to YouTube's decision to offer upfront funds to producers interested in creating bespoke channels on YouTube's platform YouTube us expected to announce several dozen more commissioned channels in Cannes at the Mipcom TV market this week.

In Edinburgh, Murdoch urged producers to create direct-to-audience channels. Slapping a hashtag in the corner of the screen doesn't begin to build a community," said Murdoch. This is not the first time Bigballs has caught a wave on the sea of online content. BigBalls produced and directed Kate Modern, the first successful, serialised and sponsored web drama, which launched on social network Bebo in and won the Broadcasting Press Guild's innovation award and two BAFTA nominations.

Several of BigBalls' founders were also founding investors in a separate games company called We R Interactive. Thirlwall says a virtuous circle is being extended between We R Interactive and BigBalls, which is already the producer of all of We R Interactive's video content. Clearly BigBalls is not your traditional independent production company.

And that is one reason why YouTube was happy to partner with them on Copa They have a proven track record in creating really strong and entertaining video and the potential to link between IAmPlayr and Copa90 was an intriguing extra dimension. Each channel BigBalls creates on YouTube will have a different business model that suits it, says Thirlwall. Some, he thinks, will be funded by brands and some will be self-funded from Bigballs' operating cash flow; YouTube will help with others via upfront "startup cash" that will be re-paid through advertising revenue.

We won't just take money for a brand to pay for a channel. BigBalls has about 40 staff and it recently opened an office in Berlin. An LA office is also planned to open soon, says Thirlwall. Many people think that in the digital age that there is still a 'build it and they will come mentality'.

But we are not thinking that way. We are interested in building a hyper-engaged, long term audience. Kate Bulkley is a journalist and media commentator — follow her on Twitter katecomments. To get more articles like this sent direct to your inbox, sign up for free membership to the Guardian Media Network. This content is brought to you by Guardian Professional. Topics Connected TV Publishing and platforms. Reuse this content.Old Goes Young - Talented cock sucker gives old dude a deep blowjob. Mark Ashley - beautiful, big, thick cock and beautiful, big, low-hanging balls.

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Filming began in January A variety of actors were considered and cast before Fassbender eventually took the role. Editing was extensive on the project, with editor Elliot Graham while the film was still shooting. Daniel Pemberton served as composer, with a focus on dividing the score into three distinguishable sections. It opened nationwide in the U. People close to Jobs such as Steve Wozniak and John Sculley praised the performances, but the film also received criticism for historical inaccuracy.

Inthe Apple Macintosh K 's voice demo fails less than an hour before its unveiling at Flint Center. Apple co-founder Steve Jobs demands engineer Andy Hertzfeld fix it, threatening to publicly implicate him in the presentation's credits if he does not. Hertzfeld finally suggests faking the demo using the prototype Macintosh K computer. Jobs rants to marketing executive Joanna Hoffman about a Time magazine article exposing his paternity dispute with ex-girlfriend Chrisann Brennan — he denies he is the father of Brennan's five-year-old daughter, Lisa.

Brennan arrives with Lisa to confront him — she is bitter over his denials and his refusal to support her despite his wealth. Jobs bonds with Lisa over her MacPaint art and agrees to provide more money and a house. Apple co-founder Steve Wozniak asks Jobs to acknowledge the Apple II team in his presentation, but Jobs feels that mentioning the computer which he considers obsolete is unwise.

Before the NeXT Computer launch at the War Memorial Opera Househe spends time with 9-year-old Lisa, but his relationship with Brennan is still strained — he accuses her of irresponsible behavior and of using Lisa to get money from him.

Wozniak arrives and predicts the NeXT will be another failure. Jobs confronts him about his public criticism of him, and Wozniak questions Jobs' contributions to computing history. Jobs defends his role as that of a conductor, who directs "musicians" like Wozniak. Jobs lambasted the decision and dared them to cast a final vote on his tenure, despite Sculley's warnings.

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After Hoffman and Jobs discuss NeXT's unclear direction, she realizes that Jobs has designed the computer to entice Apple to buy the company and reinstate him.

He is delighted by Hoffman's strong commercial forecasts, but furious that Lisa has allowed her mother to sell the house Jobs bought for them. Hoffman reminds Jobs that he threatened to withhold Lisa's college tuition — Hertzfeld admits that he paid Lisa's tuition and suggested she attend therapy. Wozniak again asks that Jobs credit the Apple II team during the presentation, and again he refuses.

Sculley arrives in secret and the two make amends. Jobs and Sculley discuss Jobs' life as an adopted child, and Jobs admits that his need for control stems from his feelings of powerlessness in being given up.

At the behest of Hoffman, Jobs apologizes to Lisa for his mistakes and accepts that he is her father, admitting that he is "poorly made. Sony Pictures acquired the rights to Isaacson's book in Octoberhiring Aaron Sorkin to adapt it. However, Sorkin has stated that much of the dialogue is fiction. After Sorkin's completion of the script in Januarydevelopment on the project began to heat up when David Fincher entered negotiations to direct the film, [20] with Fincher selecting Christian Bale as his choice for Jobs.

Following the Sony Pictures Entertainment hack in DecemberSony emails were leaked which revealed casting demands as cause of delay in the film's production.Black guy sucking and fucking white juicy pussy. Blonde gets doggy style in fake taxi. Gia Paige ride her hairy pussy on top.

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